Sweet surprise

(Photo: Anthony Reinhart)

If you're a parent, you'll know that happiness is a sleeping child.
So, when our twin baby girls drifted off during what we thought would be a short drive to RIM Park on a sunny Easter Sunday, we decided to take the scenic route and let them sleep.
Our decision to shoot past the park and into the countryside was rewarded as we tooled along Sawmill Road and spotted a sign at the entrance to a driveway.
Maple Syrup, it read. Boiling Today.
As we drove past it, my Australian wife reminded me she had yet to visit a maple syrup production site in the nearly eight years she has lived in Canada.
Feeling I had shirked my national duty, I turned the car around and pointed it down the muddy lane into Sugarwoods, a syrup operation run by Alan Murray, with help from an amiable man named Rob.
Surprised as we were to find Al and Rob working on a holiday (and a Sunday, no less), we were thrilled when they warmly welcomed us into their sugar shack for a close-up look at how this quintessentially Canadian product is made.
As the girls snoozed in their car seats, we thoroughly enjoyed our crash course (more of a refresher for me) in syrupology. I used my trusty BlackBerry Q10 to capture all the images in this post.
Thanks to my friend Darin White, the hardest working man in spare-time photo blogging, for inspiring me to carve out the time to post. Further thanks to the folks at Foto:RE for getting us together for a critique/review session last week, where supremo shooter Sean Puckett assuaged my smartphone insecurities by repeating the adage that the best camera is the one you've got.

Nothing says Canadiana like a sugar shack giving off steam and smoke during maple syrup season. (Photo: Anthony Reinhart)

At Sugarwoods, we felt lucky enough for the personalized tour, but luckier still when Al and Rob told us this was likely the last day of production for their 2014 season. The long and exceptionally cold winter meant a later start, and thus a slightly later finish.
The end of the season is also when the syrup runs darker (and therefore richer in flavour) from the evaporator, as it was doing as we stepped inside the shack. Rob held a big white bucket as the dark nectar gushed from a tap.

Rob checks a temperature gauge after filling another bucket with fresh maple syrup, which boils at 219 degrees Fahrenheit, seven degrees above the boiling point of water. (Photo: Anthony Reinhart)

Al demonstrates the use of a combination thermometer-hydrometer to measure the sugar concentration of freshly produced maple syrup. (Photo: Anthony Reinhart)

Tenille gets set to down a shot of maple syrup fresh from the evaporator. If this doesn't lock up her Canadian citizenship, I don't know what will. (Photo: Anthony Reinhart)

Al's price list didn't need much updating this year. (Photo: Anthony Reinhart)

Fire roars inside the high-efficiency wood-burning furnace, fuelled by logs and pallets (skids). Fans below and behind the furnace provide plenty of oxygen to keep the flames dancing. (Photo: Anthony Reinhart)

Rob stokes the fire. (Photo: Anthony Reinhart)

An elaborate tubing system brings sap from about 800 maple trees on Al's property into the sugar shack. The lines remain in place year-round, filled with alcohol during the off season to prevent mould growth. (Photo: Anthony Reinhart)

Distillate, produced when water vapour condenses during evaporation, spills from a hose. (Photo: Anthony Reinhart)

Al runs one of his last batches of syrup of the 2014 season through a filtration system to remove sugar crystals from the finished product. (Photo: Anthony Reinhart)

Filtering maple syrup (Photo: Anthony Reinhart)

Fresh maple syrup, still hot from the evaporation process. (Photo: Anthony Reinhart)

Rob keeps an eye on the high-tech systems that produce maple syrup at Al Murray's farm outside Kitchener-Waterloo. (Photo: Anthony Reinhart)

Steam rises from the evaporator behind Rob. (Photo: Anthony Reinhart)

Don't let the reference to Waterloo fool you - this sophisticated maple syrup production gear comes from Waterloo, Quebec. (Photo: Anthony Reinhart)

Steam rises to the rafters of Al Murray's small sugar shack outside Kitchener-Waterloo. (Photo: Anthony Reinhart)

Rob at the evaporator (Photo: Anthony Reinhart)

A large chimney carries wood smoke out of the sugar shack. (Photo: Anthony Reinhart)

Tenille checks out the Hurricane Force 5 wood furnace. (Photo: Anthony Reinhart)

The Hurricane Force 5 wood furnace keeps the evaporator running and the maple syrup flowing. (Photo: Anthony Reinhart)

The sap gathering tank sits atop a platform outside the sugar shack. (Photo: Anthony Reinhart)

It takes about 40 litres of sap to produce a litre of maple syrup. (Photo: Anthony Reinhart)

Rob approaches the wood pile outside the sugar shack. (Photo: Anthony Reinhart)

Al enjoys a less-hectic moment inside the sugar shack. (Photo: Anthony Reinhart)

Plastic sap buckets have replaced metal ones at many modern maple syrup operations. (Photo: Anthony Reinhart)

We showed our thanks to Al and Rob for the personal tour by plunking down $16 for a litre of syrup. The bottle was hot in Tenille's hands; it was that fresh.

Can't wait to return once our girls are old enough to stay awake through the adventure.

Oh, and we did eventually make it to RIM Park for a wee walkabout.

The ladies. (Photo: Anthony Reinhart)

Thanks, Darin

This post constitutes a thank-you to my friend Darin White, who has a knack for luring me away from my desk and out to lunch, where the talk invariably turns to photography. I am always left humbled - and usually, feeling inadequate - due to Darin's dedication to the craft despite a busy life and heavy workload.

Today, I decided to do something about it as Darin and I walked back to the Tannery, where we both happened to be working at our day jobs this particular day. I pulled out my new BlackBerry Q10 smartphone (the one with the keyboard), and went looking for my photo mojo, which had taken a bit of a hiatus of late.

From the way the camera performed, I think I'll be doing a lot more shooting (and less mojo-hunting) in the days and weeks to come.

Thanks again, Darin.

 manhole cover, Gaukel Street

 ventilation grate, Gaukel Street

fresh asphalt, Charles Street 

leaf, Charles Street

gas valve, Charles Street

hydrant, Charles Street

propane tank, Downtown Gas Bar, Charles Street

Back in Black

It's been a while. No excuses; I've quite simply been neglecting this space in favour of other things.

So, why now?

Well, because of the photograph above, and where it came from - the recently released BlackBerry Z10. Aberration is and always has been a blog of photos taken on BlackBerry devices of one model or another.

I don't have the all-new new Z10 yet, but my friend and photographic brother, Darin White, does. (Darin works for BlackBerry, so of course he does).

The other day over lunch, Darin demonstrated the Z10's photographic capabilities, and we talked somewhat excitedly about the exponential increase in possibilities it offers over previous BlackBerry models.

Inevitably, it led to me borrowing Darin's phone for a few seconds, during which I snapped this shot from our booth at the Firkin at the Tannery in Kitchener.

After applying effects using the Z10's dead-simple in-camera tools, I saved the shot. Then Darin showed me a nifty trick to get it from his BlackBerry onto my previous-generation 9900 model.

Since both our phones are equipped with near field communication (NFC), we were able to share the photo simply by holding our devices together, back-to-back, for a second or so. And voila, the image was now in my device's picture folder.

Needless to say, I'm excited about where the Z10 will allow me to take this blog, once I get my hands on one.

Until then, go and check one out for yourself. You won't regret it.

Big day

Darin prefers the term 'maker' because he is, like I am, uncomfortable calling himself an artist.
Nonetheless, the two of us are hours away from putting ourselves out there as, well, artists.
We're mounting a one-day installation called DISCONNECT, which features stills and video we've shot with a surveillance esthetic. The idea is to get people thinking about this hyper-watchful world we've built for ourselves, one in which most of us who live in cities are photographed several times a day without our consent, much less our concern.
Who cares? Maybe you do, maybe you don't. Either way, we think it's worth pausing to think about, and we hope you do, too.
Subject matter aside, it's been a blast putting this project together, and an education on several levels.
Most crucially, I've been humbled by Darin's dedication to and enthusiasm for photography in general, and this project in particular.
He has a demanding job at RIM, a young family and all that those things entail, and yet he's found time not only to keep shooting and blogging on makebright, but to render content, build stands for the Christie Digital MicroTiles we're using, write code, haul gear and design promo materials - all for a one-off, five-hour show we have no idea anyone will like.
In short, Darin's a pro - and I'm fortunate to collaborate with him.
I hope it's the first of several projects we can put together, and that one day, we'll both feel a bit more comfortable in acknowledging what we will irrevocably become in a few hours - artists.
In addition to Darin, I'd like to thank Anthony Stevens (pictured above, working on our MicroTiles) and Jordan Priede of Christie Digital; Iain Klugman, Lisa Thompson, Brendan Lowther, Jeff Nesbitt, Sharilyn Allen, Isabel Quinn and the rest of the team at Communitech, and my wife, Tenille, for their help, patience and support.
If you make it to the show, thanks for coming out; if not, maybe next time.

A father's hands

My father's hands, Ethel's Lounge, Waterloo

I don't think my dad realized I was taking this picture as we sat talking over a Father's Day pint today.
At 83, his hands have done many things, but snapping photos with a smartphone is not one of them.
As a boy, he used these now-gnarled hands to pick and sell apples from trees not far from the bar where we met today. The trees are now long gone, of course.
When his parents ran country hotels in the 1930s, and sold hooch in defiance of Ontario's stiff liquor laws, he used them to hide the bottles in a sawdust pile outside the local sawmill whenever word of a raid was on the wind.
He'd then use the same hands to search for the same bottles, sometimes in vain.
He used them to play his faithful Gibson ES-350 on stages around the province, and on dozens of episodes of his musical variety show on CKCO-TV, when TV was newer than the internet is now.
This therefore meant using them to punch out the loudmouthed hoods who asked "Where are your horses?" as a way of mocking the cowboy attire he and his bandmates wore.
His right index and middle fingers cradled untold thousands of cigarettes over a span of 45 years, until a dying friend clamped a hand around my dad's wrist and implored him to stop. And he did, cold turkey, more than 20 years ago.
They spanked (not often), and pointed fingers of warning and blame. They also tickled and waved and tossed us headlong into Lake Huron, from the makeshift diving board of his shoulders.
They still turn a steering wheel; for how much longer, nobody knows, and so they fidget with worry.
When we shook hands and said goodbye, my dad's hand felt thin and papery in mine, but still strong.
A couple of hours later, I shook my own son's hand when I dropped him off at work, and wondered what he felt.

Of porches and poems

Do poems grow on trees? They did at the Grand Porch Party, thanks to an anonymous someone.

I'm not one of those guys who has trouble explaining why he loves his wife.
If you were lucky enough to take in the Grand Porch Party in our Waterloo neighbourhood on Sunday afternoon, you'll know why. It was bloody fantastic and entirely her creation, helped along by some great musicians, volunteers, sponsors, porch hosts and the aforementioned lucky attendees.
For a solid three hours under a cloudless pre-summer sky, we strolled, stopped, listened, applauded, chatted and repeated, over and over again, as wonderfully documented by my friend Darin.
And then, just like that, the neighbourhood was back to the way it had been, and almost always is: quiet, except for the occasional hint of breeze in the trees.
The breeze, while scarce on Sunday, found something extra to play with in those trees, thanks to the lovely someone of still-unknown identity who managed to pull a Porch Party prank of particularly high quality. Whoever it was hand-transcribed several poems and strung them from random trees with twine.
It was just another brush-stroke on a picture-perfect afternoon, but not an entirely unexpected one, given what I've come to know about people in this part of town.
They love their community, and I'm guessing by now they love my wife, too.
I can't say I blame them.

My much-better half...okay, two-thirds (shot on Canon T2i)

Lucky

Lucky Peterson works the crowd at the Starlight, June 8, 2012

We're lucky for a lot of reasons in Waterloo Region, one of them our deep connection to blues music and its best performers.
Last night, too few of us took advantage of this good fortune when Lucky Peterson came to town.
It's not that the audience at Waterloo's Starlight Social Club didn't appreciate Peterson's high-energy performance, a show rounded out by his wife Tamara's soulful vocals, and Waterloo native Shawn Kellerman's stellar-as-always guitar-playing.
It's just that the crowd was too small to really catch fire, thus denying the bluesman and his band a decent payback of energy.
More crucially, the crowd was probably too small to have generated the kind of income a professional musician not only deserves, but relies on to pay his band and cover touring costs.
So it was with some angst that Peterson, who is 47 and has been performing since he was 3, addressed the crowd during the show's last two songs.
"We've got CDs and T-shirts for sale," he said, and then he said it again.
As the blues fans filed out to be replaced by a much younger dance crowd, I approached the bar to get my wife a glass of water. I sensed someone to my right, and when I looked, it was Lucky Peterson.
After we shook hands and I thanked him for a great show, he looked at me intently and, with a hint of exasperation, told me that "no one's buying any CDs."
He drained his can of Bud in as little time as it took him to order it, then returned to the stage to gather his gear. To get there, he had to run a gauntlet of young women dancing to the DJ, essentially oblivious to the big man in the shiny jacket,  not to mention his musical achievements.
I mentioned our conversation to my wife and, chastened by Peterson's words, we bought a CD. We then found him in the shadows at the side of the stage, where he sat heavily, winding cable with practised hands.
"Peace," he wrote on the CD liner, then made sure we found his wife so that she could sign it, too.
The dance beat thrummed on, the young women still oblivious as we left to walk home.
Sometimes, I guess, we don't know how lucky we are.

Sign on a tavern wall in Tweed, Ont., June 2010

Just our type

Local readers will know the Iron Horse Trail as the former rail line that runs like a black ribbon through the core neighbourhoods of Kitchener and Waterloo. For those of you from away, I'll say this: The trail is an urban gift whose value has grown in tandem with the number of people choosing to leave the car at home and find other ways to get around.

To coincide with the Congress of the Humanities and Social Sciences taking place in the area this week, some creative, community-minded people decided to set aside this afternoon for Animate the Trail, to give us all a chance to celebrate the Iron Horse, enjoy music and local crafts, and make some new friends. The event was refreshingly short on bureaucracy and long on spontaneous creativity, a kind of pot-luck of community involvement.

My beloved and I decided to get in the spirit by putting an old typewriter (they're all old by now, aren't they?) on a table and inviting people to bang out a few lines of whatever was on their minds. We had no idea how or even if anyone would be interested, but before long, they were stopping to have a go at our 1950s-era Smith-Corona Sterling (just like this one but dark grey).

Our old Smith-Corona clearly needs a new ribbon, but our guests gave it a good go.

It was fascinating to watch people of various ages react to the machine. Kids were all over it, of course, though it was clearly counter-intuitive to them that they should have to be so forceful on the keys, given how easy it is to type on a computer. Older folks looked on with knowing eyes, and not always through a mist of nostalgia; typing meant endless days of drudgery for many, particularly women, back in the day. Those in the middle of their lives seemed to marvel at how quickly the typewriters were made extinct, and recalled high-school keyboarding classes that gave way to university computer courses.

Between visitors to our trailside table, I turned to my BlackBerry 9900, with its familiar QWERTY keyboard, to capture these few close-ups of the old Sterling. We hope to bring the typewriter back into the light again soon, at Waterloo's upcoming series of Open Streets events. Hope to see you there.

More keys, and a trip to Planet Dumpster

Maple keys, Victoria Park, Kitchener

So enamored am I of Darin White's macro-on-the-cheap solution for BlackBerry that I couldn't resist a lunch-hour photo excursion through downtown Kitchener today. Not only can you find plenty to shoot when you get up close and personal with your surroundings, but it's also good fun to make oneself the object of quizzical, if not mildly alarmed, stares from passers-by. Of course, having the audacity to ride a bicycle on a moderately busy street can draw the same looks in this town, but I digress. Like I said in my last post, 'aberration' is a word of multi-layered meaning.

Speaking of multi-layered, I had the happy accident of discovering another set of keys to shoot today, these ones of the organic maple variety. Like the metal ones I shot the other day, these were just lying there, not doing much of anything, when I moved in with my 9900. Aside from the amazing web of veins, I like the potential suggested by maple keys, even if only a few manage to become trees.

Planet Dumpster, Joseph Street, Kitchener

I also encountered a decidedly inorganic object on my walk, a graffiti-festooned garbage bin behind an insurance building. The great thing about the macro, however, is how close you have to move in to find focus, and by then, the object often looks like something else entirely. In the case of the dumpster, it looked to me like a Google satellite view of some unexplored planet...or perhaps some badly-polluted corner of our own.

A new leaf

An early trial of Darin's MacGyver-esque plastic-bubble-and-Scotch-tape macro kit for BlackBerry

So, I guess it's time to change things up a bit here at aberration, which, if you hadn't noticed, is a word-nerd attempt at a clever double-entendre. All you photo people out there will know the term from the phenomenon called chromatic aberration, a distorting effect due to a particular type of lens failure. Of course, aberration is also the term for something that isn't quite, well, normal. And while I could very well be talking about myself there, I'm actually referring to the BlackBerry cameras I use to make the images on this blog, because it's not normal for people to attempt art on a BlackBerry. Is it?

I haven't posted many words here since I started this project a couple of years ago, having preferred to let the pictures do the talking, but I'm feeling suddenly chatty of late, after meeting some interesting people here in K-W with a similar penchant for aberrant behaviour, photographically speaking. People like Darin White at makebright and Mark Walton at Foto:RE, both of whom suggested, on the separate weekends that I met each of them for the first time, that we convene at 8 or 8:30 a.m. Weekend early risers? Definitely aberrant.

Anyway, anything posted here before today was taken on a BlackBerry 9700. Going forward, you'll see mostly images from my 9900, with a few 9700s thrown in. If you care to know that much, just ask and I'll tell you. You'll also see some colour here from now on, and a few photo sets instead of just singles.

I promise to post a bit more often from here on in, and if I don't, call me out like Darin did the other day. It's the reason you're reading these words right now. Thanks, Darin.

Alley, downtown Waterloo (sorry BIA types; I still can't bring myself to say Uptown)

'57 Chevy, Orlando, Florida

Horse auction, St. Jacobs